Thursday, July 17, 2014 | return to: arts


Braff grapples with spirituality, family in ‘Wish I Was Here’

by michael fox , j. correspondent

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Despite a caustic attitude toward organized Judaism seen at the beginning of “Wish I Was Here,” Zach Braff is unabashedly and proudly Jewish. His character, however, struggles with his belief system along with personal demons.

In his second foray as director, a decade after the indie success of “Garden State,” Braff plays a chronically unemployed, 30-something Los Angeles actor with a devoted wife (Kate Hudson) and two children in a yeshiva day school.

Zach Braff plays a father struggling with family issues.  photo/creative commons
Zach Braff plays a father struggling with family issues. photo/creative commons
Braff’s Aidan Bloom is Jewish but avowedly secular — his father (Mandy Patinkin) pays for the kids’ education as a way of inculcating their Jewish identity — and he delights in cracking cynical jokes about religion while driving his son and daughter to school. To underscore his disrespect, Aidan sneaks a hit on a joint after the children get out of the car, only to be caught in the act by a rabbi.

“I don’t think the movie’s anti-Jewish at all,” Braff, 39, avers in a recent interview in a San Francisco hotel. “My character says, ‘I’m envious of people with faith. They take comfort in their faith. I wish I had that to get me through this, but since I don’t, I’m a secular man, I need to find something that works for me.’ ”

“This” is Aidan’s father’s illness and encroaching mortality, which throws a financial wrench in the kids’ private education and impels Aidan to become both a good son and a good parent. The film’s title refers to that dual challenge while evoking his existential dilemma of needing something to believe in.

“If I was going to do PR for the Jews of America,” Braff says, “I would say, ‘There needs to be a more proactive way of connecting with Jews who identify with the culture and the humor and the holidays in a way that can tap into the spirituality that they have within themselves.’ So any social commentary in the beginning on the yeshiva was meant to show here’s a secular guy who doesn’t know how to tap into his faith.”

“Wish I Was Here,” like Braff himself, blends unwavering self-confidence, clever one-liners and earnest philosophizing. Many viewers will be entertained by the acerbic dialogue and moved by the sentimental family resolution, while others will find “Wish I Was Here” an indulgent pastiche epitomized by a sight gag of an elderly rabbi on a Segway visiting an intensive-care unit.

From “Wish I Was Here” photo/creative commons
From “Wish I Was Here” photo/creative commons
Braff became a household name in the 2000s for his role in the long-running sitcom “Scrubs.” Most recently, he starred in the London premiere of his original play, “All New People,” before making his Broadway debut in the musical adaptation of Woody Allen’s “Bullets Over Broadway.”

He co-wrote “Wish I Was Here” with his brother Adam. The New Jersey natives borrowed from their own experiences and those of a third brother, Joshua (also a writer), in developing Aidan’s character. They grew up in an observant Jewish home and kept kosher.

“My brother went to a very strict yeshiva as a child and really was alienated from it, and had a very bad experience,” Braff relates. “It wasn’t until shooting this movie, in the yeshiva we actually shot in, that I saw a Modern Orthodox school. It was a wonderful school, and the rabbis that I talked to were really charming guys and we actually had some interesting conversations about religion, and the kids were all happy and having a wonderful time.”

Braff leans forward, warming to his point.

“So I hope that any strict religious people reading this know that the movie is not condemning Orthodoxy at all. It’s saying that, from my point of view, I wished I’d had in my life someone who could help me tap into my own spirituality better instead of saying, ‘Here are the rules. Work within these rules.’ ”

“Wish I Was Here” has some fun (as noted above) with an aged rabbi. But a younger rabbi — whom Braff describes as “the dream rabbi I wished I met” as a young person — makes a contribution to Aidan’s journey of reconciliation with his father (an old-school guy who harangues Aidan to provide for his family and abandon his artistic ambitions).

Braff financed “Wish I Was Here” through a crowd-funding campaign last year, drawing flak in the process from those who think well-off celebrities should reach into their own wallets. Without referencing the Kickstarter controversy, Braff makes the case for consumer support for his movie, which suggested might be “the most Jewish movie ever made.”

“The studio system isn’t going to make a movie about a Jewish family,” he asserts. “A financier wasn’t going to make a movie about a Jewish family. It’s very, very hard to get — we’re 2 percent and shrinking — a movie about Jewish people made. If I made this in the studio system, they’d be like ‘ix-nay on the ewish-jay.’ I’d have to [dial] it down. So I hope that Jews will show up, because I’d like to make more films about my Jewish experience, and it matters if they go to the theater or not.” 

“Wish I Was Here” opens Friday, July 18 at the Century 9 S.F. Centre and Sundance Kabuki Cinemas in San Francisco, the CinéArts@Palo Alto Square in Palo Alto and the CinéArts Santana Row in San Jose. The film opens widely in the Bay Area on July 28. (R for language and some sexual content, 106 minutes)



Posted by hartford
07/25/2014  at  05:30 PM
Wonderful film

am of Jewish background, but I married a non-Jew, who loved family as much as I do. I found the entire movie to be engaging, touching, humorous in parts, heartbreaking in others (my kids have been through what the brothers in the movie experience) and so well acted that, although it was 2 hrs long, I could have stayed even longer. I thought it did bring out the thoughtfulness and caring of all aspects of Jewry and, most clearly, the human connection among us all. I have never seen Kate Hudson in a more believable and challenging role, which she carried off with skill and depth. Mandy Patinkin is superb, as always. The children were believable as young people and not actors. I thought that Pierce Gagnon, whom I first saw in “Looper” was the most remarkable child actor I had ever seen. After seeing him in this, I was right. Joey King as the sister was also right-on, bringing an adolescent wonder and deep thinking to her role. Josh Gad is always wonderful. However, I must reserve highest accolades for Zach Braff’s acting. I never watched him in “Scrubs,” but I suspect I missed a lot seeing him develop as an actor. He exudes just the right emotional tone in all of his scenes. Of course, this may be due to his directing of himself! He is great at that, too. He and his brother should be proud of this film. It is not just about being Jewish, it is about being human-and that relates to everyone.

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