In the history of the Jewish people, there is no record of any woman ever having written a Torah scroll.

But history is about to change.

Aviel Barclay, a Vancouver, B.C.-based artist, has become the first known certified soferet, or female Torah scribe. Not only that: She's landed her first commission and is now completing a Torah for Kadima, a Seattle-based Jewish community.

The project has generated excitement across the country. Several women artists have asked to contribute, with San Francisco artist Aimee Golant pegged to create two silver Torah crowns and Berkeley poet Marcia Falk signed up to write a blessing for the yad (pointer).

"I fell off my chair I was so excited," says Golant from her studio. "That these woman had the chutzpah to make this happen is so special. It adds another dimension."

Other female artists will be creating a mantle, a breastplate and the etz chaim (the wooden spools). And when it's finally unveiled sometime in the fall, Kadima will likely throw a Simchat Torah party for the ages.

"This was done through force of will," says Wendy Graff, chair of the Woman's Torah Project. "It wasn't an easy sell. But so far we've received donations from 300 donors in 30 states."

Graff, who grew up in San Mateo and attended Peninsula Temple Beth El, says the project evolved out of real need.

"We don't have our own Torah," she says of her 80-family congregation. "We borrowed Torahs from other synagogues, like neighbors asking for a cup of sugar. We even had one that had all these yellow Post-it notes inside."

Kadima launched a Torah fund that grew slowly. Finally Rabbi D'rorah O'Donnell Sete of Kadima asked Graff, "Why don't you commission a Torah scribed by a woman?"

The answer: because no one ever had.

Jewish law does not forbid women to become scribes, but it is a role that traditionally has been filled by men.

That is, until Aviel Barclay came along.

She remembers being drawn to Hebrew letters as a child. She taught herself the alef-bet at 10, and starting taking Hebrew seriously at the same time.

She went on to attend art school and became a gemologist. But a cycling accident changed everything.

"I was off work for six months," she recalls. "Doing calligraphy was much easier on my hands. I remembered my Hebrew calligraphy and put two and two together. Then I asked, 'Do women do this?'"

She didn't wait around for an answer, and instead began contacting soferim around the world. "One told me it would be better if I got married and had children, " she remembers. "He said that was a better way to serve the Jewish people. But I didn't give up."

She finally found a teacher in Israel willing to take her on. She moved to Jerusalem and attended yeshiva. The process took years and involved a good deal of scorn and abuse, but Barclay persevered.

Once back home, Barclay heard from Kadima about writing a Torah. Now the project is a mission.

"We could have gotten a Torah for less money," says Graff of the $60,000 project, "but once we realized that a woman had never scribed a Torah, I knew I could never look at one the same way again."

Graff is openly appealing for donations to speed completion of the project (she can be e-mailed at (JavaScript must be enabled to view this email address)). Most of the costs relate to Barclay's fee, but all the women artists involved will be paid.

Meanwhile, Barclay toils on, up to six hours a day, one letter at a time. "I'm pleased with the work I'm doing," she says. "I feel in awe." But she's more excited about creating a Torah than being some sort of feminist pioneer.

Says Barclay: "I don't have to be Yentl."